Art history: journal of the Association of Art Historians

• 

  Año 2012, Vol. 35, Número 2. Dedicado a: Art and the Cultural Field, 1939�69 Edited by Lisa Tickner and David Peters Corbett

  • Being British and Going ... Somewhere

    Lisa Tickner, David Peters Corbett

    págs. 206-215

    

  • 'The morrow we left behind': Landscape and the Rethinking of Modernism, 1939-53

    Chris Stephens

    • Resumen

    págs. 216-233

    

  • Sculpture for the Hand: Herbert Read in the Studio of Kurt Schwitters

    Megan R. Luke

    • Resumen

    págs. 234-251

    

  • Science, Art and Landscape in the Nuclear Age

    Catherine Jolivette

    • Resumen

    págs. 252-269

    

  • Photography into Building in Post-war Architecture: The Smithsons and James Stirling

    Claire A. Zimmerman

    • Resumen

    págs. 270-287

    

  • Realism, Brutalism, Pop

    Alex Potts

    • Resumen

    págs. 288-313

    

  • The Independent Group's 'Anthropology of Ourselves'

    Catherine Spencer

    • Resumen

    págs. 314-335

    

  • Dada's Mama: Richard Hamilton's Queer Pop

    Jonathan D. Katz

    • Resumen

    págs. 336-353

    

  • Francis Bacon: Painting after Photography

    Martin Hammer

    • Resumen

    págs. 354-371

    

  • Vulgar Pictures: Bacon, de Kooning, and the Figure under Abstraction

    Andrew R. Lee

    • Resumen

    págs. 372-393

    

  • 'Export Britain': Pop Art, Mass Culture and the Export Drive

    Lisa Tickner

    • Resumen

    págs. 394-419

    

  • Painting and Sculpture of a Decade '54-'64 Revisited

    Andrew Stephenson

    • Resumen

    págs. 420-441

    

  • Varieties of Belatedness and Provincialism: Decolonization and British Pop

    Leon Wainwright

    • Resumen

    págs. 442-461