Calíope: journal of the Society for Renaissance and Baroque Hispanic Society

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  Año 1995, Vol. 1, Número 1-2

  • Herrera's concept of imitation as the taking of Italian spoils

    Rachel Schmidt

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  • Godess on the edge: the Galatea agenda in Raphael, Garcilaso and Cervantes

    Edward Dudley

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  • Herrera's odes

    Elías L. Rivers

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  • Herrera, questions and contradictions in the critical tradition

    Andreina Bianchini

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  • Art of the state: the Academias literarias as sites of symbolic economies in Golden Age Spain

    Anne J. Cruz

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  • Poetic invention against the black body: 'retrata un galán a una mulata, su dama, by Salvador Jacinto Polo de Medina

    Baltasar Fra Molinero

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  • In her image: Christ and the female body in women's religious poetry of the Golden Age

    Julián Olivares

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  • The "Túmulos" as political expression in Quevedo's poetry

    Estela Moreno-Mazzoli

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  • Góngora's sea of sings: the manipulation of History in the "Soledades"

    Betty Saskai

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  • Existential Baroque: Francisco de Quevedo's sonnet "Miré los muros de la patria mía"

    Manuel Durán

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