Artibus et historiae: an art anthology

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  Año 2015, Número 71

  • Keeping the Myth Alive: Andrea Dandolo and the Preservation of Justice at the Palazzo Ducale in Venice

    Daniel Savoy

    • Resumen

    págs. 9-29

    

  • Why Hand G of the Turin-Milan Hours Was Not Jan van Eyck

    Carol H. Krinsky

    • Resumen

    págs. 31-60

    

  • La Bella Principessa: Arguments against the Attribution to Leonardo

    Katarzyna Krzyżagórska-Pisarek

    • Resumen

    págs. 61-89

    

  • Revival or Continuity? Three Turns about Pontormo

    Paul Joannides

    • Resumen

    págs. 91-112

    

  • The Iconography of Jupiter Painting Butterflies by Dosso Dossi, that is, Alfonso d'Este's Dream of Spring

    Marcin Fabianski

    • Resumen

    págs. 113-124

    

  • Four Paintings by Scarsellino in the Canonici Collection and their Figurative Sources

    Michele Danieli

    págs. 125-144

    

  • Pietro Tacca and his Quattro Mori: The Beauty and Identity of the Slaves

    Steven F. Ostrow

    • Resumen

    págs. 145-180

    

  • The Monuments with Portrait Busts of the Bishops of Cracow: On the History of the Reception of Roman Baroque Models of Sepulchral Art in Poland (Bernini - Algardi - Rossi)

    Krzysztof Czyzewski, Marek Walczak

    • Resumen

    págs. 181-223

    

  • Alexandre Ubeleski (Ubelesqui): The aeuvre of the Painter and the Definition of his Style

    Barbara Hryszko

    • Resumen

    págs. 226-280

    

  • Mattia Preti's Vault in Saint John's, Valletta: New Light on a Complex Iconography

    Jesper Svenningsen

    • Resumen

    págs. 281-295

    

  • British Landscape Gardening, Italian Renaissance Painting, and the Grand Tour

    Joseph Manca

    • Resumen

    págs. 297-322