págs. 1-12
The Bicephalous Writer: The Commingling of the Creative Writer and the Critic in a Single Body
págs. 13-21
págs. 22-37
págs. 38-39
págs. 40-49
págs. 50-56
págs. 57-75
Breaking the Code: �Generación Nocilla,� New Technologies, and the Marketing of Literature
págs. 76-96
The Art of Seduction: Truth or Fanfiction in the World of Lucia Etxebarria�s Online �Friends� and the Blogosphere
págs. 97-122
You'll Never Write Alone: Online Sharing Economy and the New Role of the Reader
págs. 123-137
págs. 138-177
An Archaeology of Digital Aesthetics: Musical Sampling in Rodrigo Fresán�s �Señales captadas en el corazón de una fiesta�
págs. 178-191
Post-Digital Remixes and Carnavalesque Relinkings: Eduardo Navas�s Goobalization
págs. 192-213
págs. 214-236
Close Readings of the Historic and Digital Avant-Gardes: An Archeology of Hispanic Kinetic Poetry
págs. 237-262
The Travelling Texts of Local Content: Following Content Creation, Communication and Dissemination via Internet Platforms in a Brazilian Favela
págs. 263-288
págs. 289-298
© 2001-2024 Fundación Dialnet · Todos los derechos reservados