págs. 1-3
Auto/Biographer, Historian, Griot: Measures of Realism and the Writing of History in Helon Habila’s Measuring Time
págs. 5-26
On Beauty and Doing Justice to Art: Aesthetics and Ethics in Zadie Smith’s On Beauty
págs. 27-44
What Cost Abjection for the Sake of the Nation?: Conceptualizing Normativity in the Works of William Saroyan and Ruskin Bond
págs. 45-68
Through Their Voices She Found Her Voice: Women in Maya Angelou’s I Know Why the Caged Bird Sings
págs. 69-90
“Hedging on Destiny”: History and Its Marxist Dimension in the Early Fiction of Christina Stead
págs. 91-109
Yearning for Utopia: Earth, Body, Deviance and Festive-Carnival Failure in Cereus Blooms at Night
págs. 111-142
págs. 143-161
Intellectual Rape: The Image of the Political Prisoner in the Egyptian Novel
págs. 163-175
págs. 177-181
R. Radhakrishnan. History, the Human, and the World Between.
Leilei Chen (res.)
Es reseña de:
History, the Human, and the World Between
R. Radhakrishnan
Durham and London : Duke UP, 2008
págs. 183-186
Faye Hammill. Canadian Literature.
Kimberly Gilmour (res.)
Es reseña de:
Canadian Literature
Faye Hammill
Edinburgh : Edinburgh UP, 2007
págs. 186-188
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