Art history: journal of the Association of Art Historians

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  Año 2017, Vol. 40, Número 1

  • Crafting Boundaries of the Unseeable World: Dialectics of Space in the Bhagavat Sutra Repository

    Jeehee Hong

    • Resumen

    págs. 10-37

    

  • A Psalm for King James: Rubens's "Peace Embracing Plenty" and the Virtues of Female Affection at Whitehall

    J. Vanessa Lyon

    • Resumen

    págs. 38-67

    

  • Against the'Statue Anatomized': The 'Art' of Eighteenth-Century Anatomy on Trial

    Lyle Massey

    • Resumen

    págs. 68-103

    

  • Currency from Opinion: Imitation Banknotes and the Materiality of Paper Currency in Britain, 1782-1847

    Amanda Lahikainen

    • Resumen

    págs. 104-131

    

  • Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877-1911

    Sean Willcock

    • Resumen

    págs. 132-155

    

  • Close Looking and Conviction

    Sam Rose

    • Resumen

    págs. 156-177

    

  • 'Painting like nature': Chance and the Landscape in Gerhard Richter's Overpainted Photographs

    Aline Guillermet

    • Resumen

    págs. 178-199

    

  • Reviews

    • Creating Artists

      Kate Aspinall

      Es reseña de:

      • The London Art Schools: Reforming the Art World, 1960 to Now

        Nigel Llewellyn (ed. lit.)

        London : Tate Publishing, 2015

      págs. 200-204

      

    • Hidden Trails in Art History

      Samuel Bibby

      Es reseña de:

      • Documents of Contemporary Art: The Magazine

        Gwen Allen (ed. lit.)

        London and Cambridge : Whitechapel Gallery, 2016

      págs. 204-209

      

    • In the Aura of the Object: Modernity's Re-Enchantment

      Will Atkin

      Es reseña de:

      • Other Things

        Bill Brown

        Chicago : The University of Chicago Press, 2015

      págs. 210-214

      

    • 'A Kind of Mental Explosion': Modernism's Other Worlds

      Charlotte De Mille

      Es reseña de:

      • Modernism's Other Work: The Art Object's Political Life

        Lisa Siraganian

        Oxford : Oxford University Press, 2015

      • T. E. Hulme and the Ideological Politics of Early Modernism

        Henry Mead

        London : Bloomsbury Academic, 2015

      págs. 215-217

      

    • Meticulously Yours

      Gavin Parkinson

      Es reseña de:

      • The Artist and His Critic Stripped Bare: The Correspondence of Marcel Duchamp and Robert Lebel

        Paul B. Franklin (ed. lit.)

        Los Angeles : The Getty Research Institute, 2016

      págs. 217-220

      

    • Hallicinating Art History

      Kamini Vellodi

      Es reseña de:

      • The Brain-Eye: New Histories of Modern Painting

        Eric Alliez, Jean-Clet Martin (col.), Robin Mackay (trad.)

        London : Rowman & Littlefield International, 2015

      págs. 220-224

      

    • Leverage on a Nineteenth-Century Maverick: Henri Regnault

      Anna Green

      Es reseña de:

      • The Deaths of Henri Regnault

        Marc Gotlieb

        Chicago : University of Chicago Press , 2016

      págs. 225-228

      

    • Perspectives on Eckersberg

      Michael Hatt

      Es reseña de:

      • Eckersberg - Faszination Wirklichkeit. Das goldene Zeitalter der dänischen Malerei

        Markus Bertsch (ed. lit.), Hubertus Gassner (ed. lit.), Neela Struck (ed. lit.)

        Petersberg : Michael Imhof Verlag, 2016

      • Christoffer Wilhelm Eckersberg

        Kasper Monrad (ed. lit.)

        Copenhagen and Munich : Statens Museum for Knust and Prestel Verlag, 2016

      págs. 229-236