págs. 464-495
págs. 496-525
págs. 526-553
'His Wretched Hand': Aubrey Beardsley, the Grotesque Body, and Viennese Modern Art
págs. 554-581
Flip, Linger, Glide: Coles Phillips and the Movements of Magazine Pictures
págs. 582-611
págs. 612-633
Authorless Pictures: Uses of Photography in Christian Boltanski's Early Work (1969-1975)
págs. 634-657
Es reseña de:
Drawing Difference: Connections Between Gender and Drawing
Marsha Meskimmon, Phil Sawdon
London : I.B. Tauris, 2016
págs. 658-660
Es reseña de:
The Experience Machine: Stan VanDerBeek's Movie-Drome and Expanded Cinema
Gloria Sutton
Cambridge : MIT Press, 2015
págs. 661-664
Looking Back at Bacon: Reviewing the Oeuvre
Es reseña de:
Francis Bacon: Catalogue Raisonné
Martin Harrison (ed. lit.), Rebecca Daniels (col.)
London : HENI Publishing, 2016
págs. 665-671
Es reseña de:
Heaven, Hell, and Everything in Between: Murals of the Colonial Andes
Ananda Cohen Suarez
Austin : University of Texas Press, 2016
págs. 672-674
Gossart's Netherlandish Courage
Es reseña de:
Jan Gossart and the Invention of Netherlandish Antiquity
Marisa Anne Bass
Oxford : Princeton University Press
págs. 675-677
Architecture and Cultural Translation on India's Deccan Frontier
Es reseña de:
Power, Memory, Architecture: Contested Sites on India's Deccan Plateau
Richard M. Eaton, Phillip B. Wagoner
New Dehli : Oxford University Press, 2014
págs. 678-680
When Artistry, Materiality and Culture Meet
Es reseña de:
The matter of Art: Materials, practices, cultural logics, c.1250-1750
Christy Anderson (ed. lit.), Anne Dunlop (ed. lit.), Pamela H. Smith (ed. lit.)
Manchester : Manchester University Press, 2014
págs. 681-682
Es reseña de:
Saints and Spectacle: Byzantine Mosaics in their Cultural Setting
Carolyn L. Connor
New York : Oxford University Press, 2016
págs. 683-686
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