Historical evidence: induction, deduction, abduction and serendipity
págs. 9-31
págs. 33-53
"Lieber Walter"-"Lieber Gerhard": the dramaturgical strateies for including the correspondence of Benjamin and Scholem in the performance of "Passport"
págs. 55-72
Women playwrights and the news: Colleen Murphy and Jdith Thompson on "Fact-inspired" drama
págs. 73-98
The really poor theatre: postcolonial economies of performance
págs. 99-124
Theatrical institutions in motion: developing theathre in the Postcolonial Era
págs. 125-140
The serendipity Tango: volume 1, number 1
págs. 141-152
págs. 155-174
págs. 175-183
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