Art history: journal of the Association of Art Historians

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  Año 2017, Vol. 40, Número 4

  • Art History 40: Reading, Writing, Remembering

    Genevieve Warwick, Gavin Parkinson

    págs. 696-703

    

  • Art History and Memory, From the Couch to the Scanner: On How the New Art history Woke Up to a Neural Future

    John Onians

    • Resumen

    págs. 704-723

    

  • Towards a New French Renaissance: Memory, Tradition and Cultural Conservatism in France before the First World War

    Neil McWilliam

    • Resumen

    págs. 724-743

    

  • Enduring Characteristics and Unstable Hues: Men in Black in French Painting in the 1860s and 1870s

    Marcia Pointon

    • Resumen

    págs. 744-769

    

  • Misprisions of London

    Dana Arnold

    • Resumen

    págs. 770-783

    

  • Suitcase Aesthetics: The Making of Memory in Diaspora Art in Britain in the Later 1980s

    Deborah Cherry

    • Resumen

    págs. 784-807

    

  • 'The Pursuit of Understanding': "Art History" and the Periodical Landscape of Late-1970s Britain

    Samuel Bibby

    • Resumen

    págs. 808-837

    

  • Decretation and Undoing: George Bellows's Excavation Paintings, 1907-1909

    David Peters Corbett

    • Resumen

    págs. 838-855

    

  • Myths and Memories of Brittany: Reviewing Gauguin's Stereotypes

    Gavin Parkinson

    • Resumen

    págs. 856-883

    

  • Memory's Cut: Caravaggio's Sleeping Cupid of 1608

    Genevieve Warwick

    • Resumen

    págs. 884-903

    

  • Herbert Read, the École de Paris and Art Criticism, c. 1946

    Natalie Adamson

    • Resumen

    págs. 904-927