James Joyce quarterly

• 

  Año 2015, Vol. 52, Número 3-4

  • 'Knowing damn all about banking business': reopening James Joyce's "Notes on business and commerce"

    Matthew Hayward

    págs. 493-508

    

  • 'On linfting the lid od the desk': the empty spaces and certain circumstances of "A painful case"

    Tim Cook

    págs. 509-530

    

  • The 'unffetered freedom' of 'flitting bats': the inoperative community in James Joyce's "A portrait of the artist as a young man"

    Pilar Villar Argáiz

    págs. 531-556

    

  • 'Unfallen but about to fall': the influence of Byron's "Cain" on Joyce's "A portrait of the artist as a young man"

    Elizabeth Fredericks

    págs. 557-573

    

  • The 'indecent postures' of Island Cricket: James Joyce's "A portrait of the artist as a young man" and Joseph O'Neill's "Netherland"

    Maria McGarrity

    págs. 575-592

    

  • Private property, public interest: Bloom's ecological fantasy in "Ithaca"

    William J. Kupinse

    págs. 593-621

    

  • A Bloom without a flower or how to read "Lotus Eaters"

    Anna M. Finn

    págs. 623-635

    

  • Sifted science: James Joyce's reference to George Albert Wentworth and George Hill's "A text-book of physics"

    Yi Jean Chow

    págs. 637-654

    

  • Current JJ checklist (127)

    William S. Brockman

    págs. 655-668

    

  • The pictures Odyssey of Ben Bloom Elijah

    Jonathan Morse

    págs. 669-681

    

  • An early manuscript of "Tutto è sciolto"

    David Spurr

    págs. 682-684

    

  • Spectral grandfather?

    Andrew Borson

    págs. 685-690

    

  • Penelope says

    Robert Berry, Dan Pipito

    págs. 691-692

    

  • Joyce Smithy: a curated review of Joyce in visual art, music and performance (2016)

    Ollie Evans, Christa Maria Lerm Hayes, Derek Pyle

    págs. 693-706