Frieze: Contemporary Art and Culture

• 

  Año 2017, Número 189

  • Columns

    • State of the Art. Beside yourself: Losing your place in the world

      Kirsty Bell

      págs. 15-15

      

    • Double Agent. Uncommon Eyes: Different approaches to travel writing

      Negar Azimi

      págs. 20-20

      

    • Funny Weather. The Fire This Time: How can art and literature respond to disaster?

      Olivia Laing

      págs. 23-23

      

    • Printmaking. Special Editions: Fifteen years of innovation at Singapore's STPI printmaking workshops

      Arthur Solway

      págs. 24-24

      

    • Foundations. City Lights: The boom in Paris's private art foundations

      Tom Jefreys

      págs. 27-28

      

    • Books. Sense and Sensuality: Kathy Acker's writing on literature, logic ant the libido

      Dodie Bellamy

      págs. 30-31

      

    • Life in Music. Off the Record: Artist and composer Ari Benjamin Meyers on exhibiting music

      Ari Benjamin Meyers

      págs. 33-34

      

    • Film. Period Drama: A village uses theatre to reckon with its future

      Sierra Pettengill

      págs. 36-37

      

    • Postcard. The Idea of the North: How art institutions are responding to Canada's 150th anniversary

      Brian Sholis

      págs. 39-40

      

  • Features

    • South-South: Discussing Latin America identity and art history

      Magali Arriola, Cecilia Fajardo Hill, Julieta González, José Luis Blondet

      págs. 120-123

      

    • Against the Wall: Muralism in Los Angeles

      Ken Gonzales-Day

      págs. 124-125

      

    • Imports and Exports: Western and Mexican culture collide in the work of Eduardo Sarabia

      Travis Diehl

      págs. 126-127

      

    • Dear Martín Ramírez: A letter to the self-taught Mexican artist

      Jonathan Griffin

      págs. 128-129

      

    • Influences: Eva Rotschild discusses the objects, ideas and artworks that have shaped her thinking

      Declan Long

      págs. 130-135

      

    • A Tale of Two Cities: Reflecting on documenta 14 in Athens and Kassel

      Jörg Heiser

      págs. 136-143

      

    • Pattern Recognition: Ellen Lesperance transmits messages of protest throught the art of knitting

      Jennifer Kabat

      págs. 144-147

      

    • Sketch of a Sketch: Revision and revolt in the work of Nairy Baghramian

      Brian Dillon

      págs. 148-153

      

    • Make It New: David Bestué uses materials as diverse as dust and saliva as forms of enquiry

      George Stolz

      págs. 154-157

      

    • Picture Piece: Why does a photograph of the late Stuart Hall appear radical in 2017?

      Stephanie DeGooyer

      págs. 158-158

      

  • Reviews

    • The 57th Venice Biennale. Various venues, Venice, Italy

      Chris Wiley

      págs. 160-161

      

    • Louise Lawler: The Museum of Modern Art, New York, USA

      Andrew Durbin

      págs. 162-163

      

    • Skulptur Projekte Münster: Various venues, Münster, Germany

      Jens Hoffmann

      págs. 164-165

      

    • 45 Reviews from 30 Cities in 19 Countries

      págs. 166-195

      

  • Features

    • Questionnaire: Elmgrees & Dragset

      págs. 196-196