Frieze: Contemporary Art and Culture

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  Año 2018, Número 194

  • Columns

    • State of the Art. Go Figure: How to measure the unmeasurable?

      Paul Teasdale

      págs. 13-13

      

    • As We Speak. Artificial Stupidity: How are algorithms changing the way art is seen?

      Jörg Heiser

      págs. 16-16

      

    • In These Intemperate Times. Heart in Mouth: Watching Paul Thomas Anderson's Phantom Thread

      Lynne Tillman

      págs. 18-18

      

    • Sightings. In the Air: Fog, vapour ant the occasional importance of not seeing clearly

      Sam Thorne

      págs. 21-21

      

    • Television. The Return of Civilisation: As in the original series, violence and fear are invoked as a defining forces of civilization

      Nathaniel Budzinski

      págs. 23-24

      

    • Books. The Cognitive Style: Helen DeWitt's first short story collection seeks truth in information

      Andrew Durbin

      págs. 28-29

      

    • Film. The Mothership: Portrayals of women in film and TV are abandoning old archetypes

      Michelle Orange

      págs. 31-32

      

    • Architecture. Slow Dance: Museum as flexible form: Lafayette Anticipations opens in Paris

      Amy Sherlock

      págs. 34-35

      

  • Features

    • Enemy Teritory: Michael Rakowitz talks about archaeological magic tricks and Saddam Hussein's obsession with Star Wars

      Evan Moffitt

      págs. 90-95

      

    • Skin, or Surface: Njideka Akunyili Crosby's works consider the history of being seen and touched by black women

      Simone White

      págs. 96-101

      

    • My Influences: Filmmaker and writer mark Cousins on the people who have shaped his thinking

      Mark Cousins

      págs. 102-107

      

    • Bodies in Exile: Pan Yuliang's bold 20th century portraits contiue to fascinate

      Madeleine Thien

      págs. 108-113

      

    • L.A.U.F.O.: The Triforium, Los Angeles's weirdest public artwork, awakes from a long slumber

      Evan Moffitt

      págs. 114-115

      

    • Comedy, Tragedy, History: The burlesque worlds of Mary Reid Kelley and Patrick Kelley

      Harry Thorne

      págs. 116-121

      

    • Get Weird: Surreal currents and deformed bodies in the work of four emerging British artists

      Matthew McLean

      págs. 122-127

      

    • Casting Call : Lena Henke's sculptures propose new manners of dwelling and co-existence

      Laura McLean-Ferris

      págs. 128-132

      

  • Reviews

    • 29 Reviews from 24 Cities in 14 Countries

      págs. 133-155

      

  • Features

    • Questionnaire: Jose Dávila

      págs. 156-156