Frieze: Contemporary Art and Culture

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  Año 2018, Número 197

  • Columns

    • State of the Art. Seeds of Change: How nature -and much current art- reveal the illogic of borders

      Evan Moffitt

      págs. 17-17

      

    • Funny Weather. A History of Violence: The implications of looking away

      Olivia Laing

      págs. 20-20

      

    • Double Agent. In Praise of Discomfort: In times of political turmoil, art is a necessary rebuke to escapism

      Negar Azimi

      págs. 22-22

      

    • Museums. How Should a Museum Be?: Publicly funded institutions must respond to today's emergencies

      Stefan Kalmár

      págs. 24-24

      

    • Life in Film. Margaret Salmon: The artist recalls the films that have influenced her

      Margaret Salmon

      págs. 26-27

      

    • Architecture. Arch Enemies: Architectural reconstrutions are provoking accusations of right-wing agendas

      Oliver Elser

      págs. 29-30

      

    • Fan Letter. The Crucial Metaphor: Brian Dillon's fan letter to the writer Ian Penman

      Brian Dillon

      págs. 33-34

      

    • Design. Make and Do: The design duo Brave New Alps is providing skills and support to precarious migrant communities

      Alice Rawsthorn

      págs. 37-38

      

  • Features

    • My Influences: Valeska Soares discusses the objects, ideas and artworks that have shaped her practice

      Valeska Soares

      págs. 122-127

      

    • The Violence of Beautiful Things: Jumana Manna unpicks power structures that support the most lyrical aspects of life

      Media Farzin

      págs. 128-133

      

    • Sound of Silence: Inspired by the work of artist Charles White, a new story by Wayétu Moore imagines terrifuing future with no escape

      Wayétu Moore

      págs. 134-137

      

    • The Edge of Identifiable Form: Recent works by three painters mine the tension between physical and imagined worlds

      Hettie Judah

      págs. 138-144

      

    • The Black Garden: When the artist Joanna Piotrowska was accused of being a spy, she focused her lens on roses

      Harry Thorne

      págs. 145-151

      

    • Love's Labour's Lost: Tao Hui's films explore belonging in hyper-mediatized world

      Alvin Li

      págs. 152-155

      

    • The Magic Glasses: A sketch for a stained-glass window that was rejected for courting 'undesirable public controversy'

      Isobel Harbison

      págs. 156-157

      

    • Biennials at an Impasse: On ths summer 10th Berlin Biennale, Manifesta 12 and the future of biennials

      Susanne Von Falkenhausen

      págs. 158-162

      

  • Reviews

    • 46 Reviews from 33 Cities in 18 Countries

      págs. 163-199

      

  • Features

    • Questionnaire: Mika Rottenberg

      págs. 200-200