“Vast Impropriety”: Tragedy, Camp Negation, and the Double Entendre in Henry James’s The Sacred Fount and The Golden Bowl
págs. 105-131
Smokers, Club Films, and Blue Movies: A Cinematic Genealogy of the Stag Film
págs. 133-158
“I Saw the Shame on His Face”: Emotion, Genre, and Political Practice in the Work of Jose Antonio Vargas
págs. 159-181
págs. 183-207
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