The difficult art of memory [letters]
James Urban, Ryan Carlson, Chad Crutcher, Athena Tacha, Claude Thompson, Dennis A. Winters, Kieran Long
págs. 15-17
An unjaundiced eye: photographer Lee Friedlander takes a gentle look at Frederich Law Olmsted's vision
págs. 24-24
Designing garden displays and exhibitions: designers can open garden visitors' eyes tothe wonders of the plant world
pág. 26
The road taken: what shapes a career in landscape architecture?
Don Stier, Allisona Osborne, Eric Becker, Christina Antonio Ahlers, Nancy McLean, J. Jade Liska, Stephanie Landregan, Jim Palmer, Janet Coleman, Robert Close, Dana Nunez Brown, Brian Dale Ray, James M. Mituzas, Linda McIntyre, Frank Edgerton Martin
pág. 34
How not to revitalize an icon: in tidying up a deteriorating public park, did the city of Seattle have to carve out its defining features?
pág. 50
Stormwater evengelists: the Low Impact Development Center seeks out projects that will most widely and effectively spread the use of LID by landscape architects and others
pág. 62
Research design connections: studies examine playgrounds designed for autistic children, what makes kids walk, and childhood experience with nature
pág. 72
For burn patients, a place to heal: a Portland, Oregon, burn center creates the first healing garden in the nation for burn patients
pág. 78
Lessons from the studio, part two: build site models with SketchUp
pág. 90
Stone frames for endless landscapes: two huge dams in Chile offer enjoyable spaces for people
págs. 100-105
New York harbors a park: Governors Island, a former Coast Guard facility, promises to be an extraordinary park
págs. 106-115
Visual fugue: landscape architect Mikyoung Kim, ASLA, draws on training as a musician and sculptor to create unique fencing for art-oriented clients
pág. 116
págs. 124-124
págs. 124-125
In search of flexible memorials: is stony permanence really the best medium for commemorating great and terrible events?
págs. 142-144
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