Five visions for Manhattan superblocks: firms design five visions for New York City's Midtown landscape
pág. 1
They put 'what' in the Hall of Shame? [Teardrop Park, New York] [letters]
Marie Viljoen, Jonathan Piasecki, Ethan Kent, Richard Haag, George Hazelrigg
págs. 15-15
When living memorials begin to fade away: in Amsterdam, opinions vary about the health and the fate of the Anne Frank Tree
pág. 20
Graphic design: Andrea Cochran's award-winning Pacific Heights residence looks good at any level [San Francisco, California]
pág. 26
Nature over traffic: if you thought Seattle's Freeway Park was the only example of a park built over a freeway, think again
pág. 32
On the Mall, few functional landscapes: landscapes can play a role in energy conservation, but you wouldn't know it from this year's Solar Decathlon
pág. 40
Friday in the park with Adrian: he started out picking up beer cans and swabbing out locker rooms; now a 'parkie' is running the New York City Parks Department as it enters a new golden age
pág. 50
In Guatemala, building gardens of hope: landscape architecture students design and build a garden for the poorest of the poor
pág. 60
Cliff dwelling: landscape architects re-create a native Pacific Northwest landscape in the city [Seattle, Washington]
pág. 74
Designing with both hands: new input devices allow designers to interact more intuitively with a computer screen
pág. 82
Treeconomics: Greg McPherson and the Center for Urban Forest Research tell us what a city's tree canopy is worth - it's more than you think
págs. 88-93
Triumph in the Tenderloin: in a tough San Francisco neighborhood, the working poor get a handsome courtyard and a sunny roof space for their own plots [Curran House]
págs. 106-113
Designing outdoor environments for children: landscaping school yards, gardens, and playgrounds, by Lolly Tai et al
págs. 114-114
Professional planting design: an architectural and horticultural approach for creating mixed bed planting, by Scott C. Scarfone
págs. 114-115
The monument in the age of political correctness: contemporary memorial design is in crisis - minimalism has become the accepted, culturally sensitive way of commemorating loss, but does it communicate anything more than silence?
pág. 140
© 2001-2024 Fundación Dialnet · Todos los derechos reservados