Bulletin of the Comediantes

• 

  Año 2017, Vol. 69, Número 2

  • An Actor Beckons

    Laura R. Bass, Elizabeth R. Wright

    págs. 5-7

    

  • ARTICLES

    • Siege as Spectacle in Cervantes’s La Numancia

      Shifra Armon

      págs. 11-28

      

    • The Case Against Tirso de Molina’s “Nephew”

      Jane W. Albrecht

      págs. 29-46

      

    • Calderón’s Theater of the New World: Historical Mimesis in La aurora en Copacabana

      Sofie Kluge

      págs. 47-67

      

    • Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo (1657) and Durón and Navas's Apolo y Dafne (circa 1700)

      María Virginia Acuña

      págs. 69-95

      

  • RESEARCH BULLETIN

    • El puzle textual de El primer refugio de Calderón: Implicaciones metodológicas para la edición crítica

      Rafael Zafra Molina

      págs. 97-109

      

  • REVIEWS

    • La Comedia nueva e le scene italiane nel Seicento: trame, drammaturgie, contesti a confronto ed. by Fausta Antonucci and Anna Tedesco (review)

      Guillaume Bernardi

      págs. 111-115

      

    • Treating the Public: Charitable Theater and Civic Health in the Early Modern Atlantic World by Rachael Ball (review)

      Ruth MacKay

      págs. 117-119

      

    • El santo rey don Fernando (Segunda parte) by Pedro Calderón de la Barca (review)

      Roy Norton

      Es reseña de:

      • El santo rey don Fernando (segunda parte)

        Pedro Calderón de la Barca, Carmen Pinillos Salvador (ed. lit.)

        Edition Reichenberger, 2016. ISBN 978-3-944244-44-0

      págs. 121-123

      

    • El secreto a voces by Pedro Calderón de la Barca (review)

      Margaret Rich Greer

      págs. 125-127

      

    • The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain by Al Coppola (review)

      Jesús Pérez Magallón

      págs. 129-131

      

    • Beyond Spain’s Borders: Women Players in Early Modern National Theaters ed. by Anne J. Cruz and María Cristina Quintero (review)

      Robert Henke

      Es reseña de:

      • Beyond Spain’s Borders: Women Players in Early Modern National Theaters.

        Anne J. Cruz, María Cristina Quintero

        2017

      págs. 133-137

      

    • Women’s Somatic Training in Early Modern Spanish Theater by Elizabeth Marie Cruz Petersen (review)

      Mary Blythe Daniels

      págs. 139-142

      

    • Shakespeare, Popularity and the Public Sphere by Jeffrey S. Doty (review)

      Alejandro García-Reidy

      Es reseña de:

      • Shakespeare, Popularity and the Public Sphere

      págs. 143-145

      

    • Farsas y églogas by Lucas Fernández (review)

      Margarita Freixas Alás

      págs. 147-149

      

    • Calderón: texto, reescritura, significado y representación by Santiago Fernández Mosquera (review)

      Dian Fox

      págs. 151-154

      

    • Antitheatricality and the Body Public by Lisa A. Freeman (review)

      Susan Bennett

      págs. 155-158

      

    • Los cigarrales de la privanza y el mecenazgo en Tirso de Molina by Juan Pablo Gil-Osle (review)

      Jane W. Albrecht

      págs. 159-161

      

    • What Was Tragedy?: Theory and the Early Modern Canon by Blair Hoxby (review)

      Marta Albalá Pelegrín

      págs. 163-166

      

    • Moors Dressed as Moors: Clothing, Social Distinction and Ethnicity in Early Modern Iberia by Javier Irigoyen-García (review)

      Trevor J. Dadson

      págs. 167-169

      

    • Pleasing Everyone: Mass Entertainment in Renaissance London and Golden-Age Hollywood by Jeffrey Knapp (review)

      Duncan Wheeler

      págs. 171-173

      

    • Las comedias autógrafas de Calderón de la Barca y su proceso de escritura by Simon Kroll (review)

      José María Ruano de la Haza

      págs. 175-177

      

    • The Early Modern Hispanic World: Transnational and Interdisciplinary Approaches ed. by Kimberly Lynn and Erin Kathleen Rowe (review)

      Katrina B. Olds

      págs. 179-183

      

    • Imagining Spectatorship: From the Mysteries to the Shakespearean Stage by John J. McGavin and Greg Walker (review)

      Catherine Connor-Swietlicki

      págs. 185-188

      

    • Comedias varias. Volumen 3.1: Morir y disimular, Gravedad en Villaverde, La más constante mujer by Juan Pérez de Montalbán (review)

      Sidney Donnell

      págs. 189-191

      

    • Women Playwrights of Early Modern Spain: Feliciana Enríquez de Guzmán, Ana Caro Mallén and Sor Marcela de San Félix ed. by Nieves Romero-Díaz and Lisa Vollendorf (review)

      Alexander Samson

      págs. 193-195

      

    • The Senecan Aesthetic: A Performance History by Helen Slaney (review)

      Florence D'Artois

      págs. 197-199

      

    • Shakespeare’s First Folio: Four Centuries of an Iconic Book by Emma Smith (review)

      José María Pérez Fernández

      págs. 201-204

      

    • Performance by Diana Taylor (review)

      Erika Fischer Lichte

      págs. 205-207

      

    • Theater of a Thousand Wonders: A History of Miraculous Images and Shrines in New Spain by William B. Taylor (review)

      Erin Kathleen Rowe

      págs. 209-211