págs. 1-11
Speculation and Social Progress: Financial and Narrative Bubbles in Charles Lever’s Davenport Dunn
págs. 17-27
págs. 28-40
págs. 41-50
págs. 51-69
págs. 70-82
“Recalled to Life”: Postmodernism in Lennox Robinson’s The Lost Leader (1918)
págs. 83-95
“I only know I must”: Transfiguring Irish Shame in Paula Meehan’s “Troika”
págs. 96-108
Between Hagiography and Insanity: Refracting Political Violence in William Trevor’s Elegiac Fiction
págs. 109-120
págs. 121-134
In Search of a Symbol Adequate to the Predicament: Seamus Heaney’s Adaptation of Dante’s “Ugolino” as a Redress of Poetry
págs. 135-145
págs. 146-159
págs. 160-168
Maria Edgeworth’s The Double Disguise: Language Development, Experimentation, and the Importance of Juvenilia
págs. 168-178
“There is one thing we have learned from the Celtic Tiger years: listen to the dissenting voice”. An Interview with Martina Devlin
José Francisco Fernández Sánchez (entrev.)
págs. 179-189
“Writing is essentially a very, very innocent thing”: In Conversation with Marina Carr
págs. 190-197
Gay Fiction, Homophobia and Post-Troubles Northern Ireland: An Interview with Jarlath Gregory
págs. 198-206
págs. 207-217
págs. 232-252
págs. 253-279
págs. 280-293
págs. 294-327
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