Introduction. TV Genres in the Age of Abundance: Textual Complexity, Technological Change, Audience Practices
págs. 125-129
págs. 130-141
“With 22 Episodes a Year”: Searching for Quality in US Network Television:: the Cases of The Good Wife, Brooklyn Nine-Nine and Jane the Virgin
págs. 142-152
págs. 153-162
págs. 163-174
Transmedia Formats and the Evolution of the Talent Show: Programmes, Genres, Successes
págs. 175-182
Criticizing the Series: Television Criticism as a Genre between Cinephilia and Fan Culture
págs. 183-190
“Sur le web, je regarde des vidéos, des séries et des émissions”: catégorisation et sélection des contenus de divertissement visionnés en ligne par les jeunes de 12 à 25 ans
Nina Duque, Judith Gaudet, Florence Millerand, Christine Thoer, Caroline Vrignaud
págs. 191-207
The Netflix Phenomenon: How New Providers are reinventing Television Promotion
págs. 208-217
Pan-Arabism through Television: Arab TV Series between National Identities and Transnational Media
págs. 218-229
‘Fluid Spectator-Tourists’: Innovative Televisual Technologies, Global Audiences and the 2015 Cricket World Cup
págs. 230-240
Vestire la scena: il sarto Lorenzo Gabbuggiani e lo spettacolo mediceo tra Sei e Settecento
págs. 241-251
págs. 252-262
págs. 263-274
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