The Poetics and Politics of Apocalyptic and Dystopian Discourses
David Castillo, Bradley J. Nelson
págs. 1-15
The Apocalypse Will Not Be Televised! Baroque Lessons in Apocalypticism, Demagoguery, and Reality Literacy
David Castillo, William Egginton
págs. 16-30
Gonçalo Anes Bandarra: The Craft of Prophecy and the Literature of Apocalypse
Henri Belin
págs. 31-54
World Time and Imperial Allegory in a Nahuatl Manuscript on the Final Judgment
Stephanie Schmidt-Ehemann
págs. 55-71
Apocalyptic Stages: Lope de Vega’s El Nuevo Mundo and Cervantes’s La Numancia
Moisés R. Castillo
págs. 72-96
Necrophilic Empathy: An Urgent Reading of Miguel de Cervantes’s La Numancia
Bradley J. Nelson, Vivek Venkatesh, Jason Wallin
págs. 97-124
Not These Bones: Apocalyptic Satire in Baroque Spain and the Cold War United States
William Childers
págs. 125-164
“Pero no masco vidrio”: Post-traumatic Subjectivities, Plasticity, and the Aesthetics of Memory
Ana Forcinito
págs. 165-183
RECording the End Time in Twenty-First-Century Spanish Film
Elizabeth Scarlett
págs. 184-205
When One Apocalypse is Not Enough: Representations of the End Times in Spanish Cinema (1962–2017)
Carmen Moreno-Nuño
págs. 206-225
Coloniality and Resistance in Latin American Metal Music: Death as Experience and Strategy
Nelson Varas Díaz
págs. 226-251
Versa et Manduca: the Timing of Ends
Julio Baena
págs. 252-268
Strategies of Writing and Reading; Or, The Tense of an Ending
Edward H. Friedman
págs. 269-276
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