Artibus et historiae: an art anthology

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  Año 2019, Número 79

  • Bernini’s Bees – Picasso’s Bulls. On the Death of the American Art Historian Irving Lavin (1927–2019)

    Horst Bredekamp

    págs. 9-10

    

  • The Silence of Bernini’s David 1

    Irving Lavin

    págs. 11-21

    

  • Alcune note sull’origine adriatico-ungherese dello stile dei capitelli del monastero benedettino di Tyniec

    Rafał Quirini Popławski

    págs. 23-43

    

  • Generazioni a confronto. Un Messale per San Michele in Bosco a Bologna miniato da Giovanni Battista e Scipione Cavalletto (pp. 45–72)

    Daniele Guernelli

    págs. 45-72

    

  • Revisiting Michelangelo’s Doni Tondo

    Livio Pestilli

    págs. 73-87

    

  • Decapitation, Devotion, and Desire in Titian’s Salome

    Victoria S. Reed

    págs. 89-115

    

  • The Decoration of the Church of San Giacomo dall’Orio in Venice, 1567–1606: Palma il Giovane, Giovanni Maria da Ponte and the Counter-Reformation

    Marie Louise Lillywhite

    págs. 117-150

    

  • Durability and Disease: Guido Reni’s Paintings on Silk

    Aoife Brady

    págs. 151-166

    

  • ‘I’m Still Learning’: The Painter’s Studio by the Master of the Annunciation to the Shepherds

    Jesse Locker

    págs. 167-190

    

  • The Spada Swords and the Barberini Bees Define the Borders of the Papal States: the Frescoes by Colonna and Mitelli in the Salone of the Palazzo Spada

    Silvia Tita

    págs. 191-227

    

  • Peter Paul Rubens and the Mineral World

    Marcia Pointon

    págs. 229-265

    

  • After Life: Rembrandt’s Slaughtered Ox

    Alison McNeil Kettering

    págs. 267-286

    

  • Bernini, Baciccio, and the Dome Fresco in the Gesù: A Reconsideration

    Steven Fierberg

    págs. 287-306

    

  • Portrait with a Black Page in Eighteenth-Century Russian Art and the Cultural Transfer of Signs

    Larisa Nikiforova, Ekaterina Blokhina

    págs. 307-322