págs. 13-38
"Gripping, Grewsome, Great": Re-Encountering Ellen La Motte’s "The Backwash of War" through the Lens of Obscenity
págs. 39-60
págs. 61-83
A "Chosen" P[o]et among [Hu]mans: Denise Levertov’s "Pig Dreams" Read as a Matrifocal Allegory
págs. 85-104
págs. 105-122
Jackie Kay’s Trumpet: Transnational and Transracial Adoption, Transgender Identity, and Fictions of Transformation
págs. 123-150
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