Artibus et historiae: an art anthology

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  Año 2020, Número 82

  • Leonardo’s design for a bastion set up in the garden of Charles d’Ambois

    Pietro C. Marani

    • Resumen

    págs. 9-23

    

  • Reframing an Icon: Leonardo’s Paris Virgin of the rocks and the economy of salvation

    Joseph F. Gregory

    • Resumen

    págs. 23-73

    

  • Vis nominis, vis textus, vis imaginis. Sea creatures named after terrestrial animals in the works of Thomas of Cantimpré and Paulerinus

    Hana Šedinová

    • Resumen

    págs. 75-103

    

  • Double-nave friar churches in Prussia and the questions of asymmetry and irregularity in the medieval architecture of the Mendicant Orders

    Jakub Adamski

    • Resumen

    págs. 105-130

    

  • Filarete’s Odysseus and Iros: its meaning and albertian source

    Thomas Martin

    • Resumen

    págs. 131-151

    

  • ‘Write here whatever you want’: empty Banderols in Northern European Art of the fifteenth and sixteenth centuries

    Antoni Ziemba

    • Resumen

    págs. 153-185

    

  • Dosso Dossi’s Jupiter painting Bbutterflies: artistic rivalry and imitation in Renaissance Ferrara

    James R. Jewitt

    • Resumen

    págs. 187-209

    

  • Venetian painted ceilings of the Renaissance and the direction of light

    Peter Humfrey

    • Resumen

    págs. 211-225

    

  • The Villa Giulia as a performance space

    Eugene J. Johnson

    • Resumen

    págs. 227-247

    

  • The ‘Palestrina Pietà': gatherings on the history of ‘a statue begun by Michelangelo

    Irving Lavin, Marilyn Aronberg Lavin

    • Resumen

    págs. 249-265

    

  • ‘A nymph, a goddess, or a fairy queen’: Van Dyck and the poetics of conversion in Rinaldo and Armida

    Aneta Georgievska-Shine

    • Resumen

    págs. 267-285

    

  • A new interpretation of the fresco by François Perrier in the Galerie of Hôtel de La Vrillière

    Arnaud Manas

    • Resumen

    págs. 287-303

    

  • The defence and illustration of catalogues raisonnés – on the example of Poussin

    Pierre Rosenberg

    • Resumen

    págs. 305-312