European Medieval Drama

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  Año 2019, Número 23

  • Kissing, Complaining, and Handing Over Keys: Castile and its Royal Entries at the End of the Middle Ages

    María Teresa Chicote Pompanin

    • Resumen

    págs. 11-30

    

  • Staging the Crusade against Islam: The Twelve Peers of France and European Popular Theatricality

    Francesc Massip Bonet

    • Resumen

    págs. 31-70

    

  • ‘The isle is full of noises …’: Music for the Yorkshire West Riding from Ripon to London

    C. Edward McGee, Sylvia Thomas

    • Resumen

    págs. 71-100

    

  • Dramatic Elements in Liturgy: The Durham Processional

    John McKinnell

    • Resumen

    págs. 101-113

    

  • Medieval Latin Performative Representation: Re-evaluating the State-of-the-Art

    Nils Holger Petersen

    • Resumen

    págs. 115-132

    

  • They Got it Wrong: How the Misunderstanding of the Nature of the Creation to Judgment Manuscripts of the English Biblical Drama Distorted our Knowledge of the Genre

    Alexandra Johnston

    • Resumen

    págs. 133-155

    

  • From Script to Playbook: John Rastell and the First Printed Interludes

    Roberta Mullini

    • Resumen

    págs. 157-173

    

  • Thomas Chaundler’s "Libellus de laudibus duarum civitatum": Playing with Ecclesiastical Court Procedure

    Elza C. Tiner

    • Resumen

    págs. 175-199

    

  • The Birth of Printed Drama from Medieval Manuscript: A New Discovery in the Case of a Polish Dialogue Between Master Polycarpus and Death

    Andrzej Dąbrówka

    • Resumen

    págs. 201-223