Moving-Picture Media and Modernity: Taking Intermediate and Ephemeral Forms Seriously
págs. 299-318
Invisible Cities, Visible Cinema: Illuminating Shadows in Late Film Noir
págs. 319-332
Dickensian ‘Dissolving Views’: The Magic Lantern, Visual Story-Telling, and the Victorian Technological Imagination
págs. 333-346
págs. 347-360
"Never Has One Seen Reality Enveloped in Such a Phantasmagoria": Watching Spectacular Transformations, 1860–1889
págs. 361-372
Nature Caught in the Act: On the Transformation of an Idea of Art in Early Cinema
págs. 373-383
The Silent Screenwriter: The Re-discovered Scripts of Eliot Stannard
págs. 385-400
págs. 403-409
págs. 411-427
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