In(sub)ordinate Speech: Mimicry as Bourdieuian Heterodoxy in Walcott’s "Pantomime"
págs. 1-24
págs. 25-50
págs. 51-68
A New Home in the World: Scottish Devolution, Nomadic Writing, and Supranational Citizenshipin Julie Bertagna's "Exodus" and "Zenith"
págs. 69-95
“Taking on the Tone of a Bombay Talkie”: The Function of Bombay Cinema in Salman Rushdie’s "Midnight’s Children"
págs. 97-122
Rushdie and the Romantics: IntertextualPolitics in "Haroun and the Sea of Stories"
págs. 123-142
Andalusian Poetics: Rushdie’s "The Moor’sLast Sigh" and the Limits of Hybridity
págs. 143-165
© 2001-2024 Fundación Dialnet · Todos los derechos reservados