“Counterfeit Colour”: Making Up Race in Elizabeth Cary’s "The Tragedy of Mariam"
págs. 13-34
“In This Strang Labourinth, How Shall I Turne?”: Needlework, Gardens, and Writing in Mary Wroth’s "Pamphilia to Amphilanthus"
págs. 35-55
“I Recognized Myself in Her”: Identifying with the Reader in George Eliot’s "The Mill on the Floss" and Simone de Beauvoir’s "Memoirs of a Dutiful Daughter"
págs. 57-79
“The Pleas of the Desperate”: Collective Agency Versus Magical Realism in Ana Castillo’s "So Far From God"
págs. 81-103
The Neodomestic American Novel: The Politics of Home in Barbara Kingsolver’s "The Poisonwood Bible"
págs. 105-127
págs. 129-150
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