págs. 13-28
Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s "An Occasional Orchid" and Stella Kon’s "Emily of Emerald Hill" on the Singapore Stage
págs. 29-43
“Personalized Writing” and Its Enthusiastic Critic: Women and Writing of the Chinese “Post-New Era”
págs. 45-64
págs. 65-89
págs. 91-105
Women Writers, Global Migration, and the City: Joan Riley’s "Waiting in the Twilight" and Hanan Al-Shaykh’s "Only in London"
págs. 107-120
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