Domus

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  Año 2021, Número 1053. Dedicado a: La conquista della luce / Conquering light

  • La conquista della luce / Conquering light

    Tadao Ando

    págs. 1-3

    

  • Un'iniziazione per mezzo della luce / Initiation by light

    Riichi Miyake

    págs. 4-7

    

  • Luce primitiva / Primitive Light.: Ca'n Terra, Minorca, Spain

    Ensamble Studio

    págs. 8-13

    

  • Luce primitiva / Primitive light: Aranya Art Center, Qinhuangdao, China

    Tadao Ando

    págs. 14-21

    

  • Luce filtrata / Filtered light: Anandaloy Centre, Rudrapur, Dinajpur, Bangladesh

    Studio Anna Herringer

    págs. 22-27

    

  • Luce filtrata / Filtered light: Mar Tirreno residences, Città del Messico, Mexico City

    Frida Escobedo

    págs. 28-33

    

  • Luce senza ombre / Light without shadows: Yingliang Stone Natural History Museum, Fujian, China

    Atelier Alter Architects

    págs. 34-43

    

  • Luce senza ombre / Light without shadows: MoAE - Huamao Museum of Art Education, Ningbo, China

    Álvaro Siza Vieira, Carlos Castanheira

    págs. 44-51

    

  • Lucio Fontana, Olafur Eliasson: Utopie realizzabili / Archievable utopias

    Caroline Corbetta

    págs. 52-59

    

  • Luce riflessa / Reflected light: Crystal of Light, Ginza Metro Station, Tokyo

    Tokujin Yoshioka

    págs. 60-62

    

  • Luce cromatica / Chromatic light: Collezione di lampade Halo / Halo lights series

    Mandalaki Design Studio

    págs. 63-65

    

  • Luce e ombra / Light and shadow: Lampada a parete Object / Object wall lamp

    YOY Studio

    págs. 66-67

    

  • Che cosa è la luce? / What is light?

    págs. 68-71

    

  • Microstories: Louis Kahn, Luis Barragán: Salk Institute, La Jolla, USA

    Kenneth Frampton

    págs. 72-75

    

  • L'arte del detaggio / The art of detail: Genesis Floating Church, Londra, London

    Denizen Works

    págs. 76-77

    

  • Cofco, Shanghai, China

    Steven Holl Architects

    págs. 78-79

    

  • Church of the Light, Ibaraki, Giappone / Japan

    Tadao Ando

    págs. 80-80