Genre as History: Genre-Poaching in Against the Day
págs. 5-20
More Than a Vast Avant-Pop Wasteland: Tom Carson's Gilligan's Wake, Television, and American Historical Fiction
págs. 21-39
págs. 41-60
págs. 61-78
Bodies of Law and Outlaw Bodies: Deforming the Mystery Genre in "Mean Spirit"
págs. 79-98
Rescuing Interpretation with Mark Danielewski: The Genre of Scholarship in "House of Leaves"
págs. 99-117
Taming Paranoia: Underground Cinema and the Domestication of the Thriller in McElroy, DeLillo, Wallace, and Danielewski
págs. 119-143
Jes Grew, the Holy Grail, and the Desire for a Metanarrative to Believe: Reading Ishmael Reed's "Mumbo Jumbo" as a Historical Thriller
págs. 145-166
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