Introduction to Global Beat Studies
Oliver Harris, Polina Mackay
The Cultural Translation of Ginsberg's Howl in Turkey
Erik Mortenson
The Greek Beat and Underground Scene of the 1960s and 1970s
Eftychia Mickelli
Literary Creolization in Layachi's A Life Full of Holes
Maarten Van Leeuwen
Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers
Benjamin J. Heal
Ginsberg's Translations of Apollinaire and Genet in the Development of his Poetics of "Open Secrecy"
Véronique Lane
Kerouac and Burroughs in Tangier
Regina Weinreich
Tangier and Kerouac's Oriental Experience in Liminality
Peggy Pacini
Bowles's Up Above the World as Beatnik Murder Mystery
Greg Bevan
Arabic Music and Burroughs's The Ticket That Exploded
David M. Holzer
The Impact of Burroughs's Naked Lunch on Chester's The Exquisite Corpse
Jaap van der Bent
The Road Trip as Artistic Formation in DeFeo's Work
Frida Forsgren
Utopia in Progress in di Prima's Revolutionary Letters
Estíbaliz Encarnación Pinedo
Politics of Feminist Revision in di Prima's Loba
Polina Mackay
The Beat "Pad"
Heike Mlakar
Fashion and Female Beat Identity in the Writing of Jones, Johnson, and di Prima
Raven J. See
Race, Gender, and the Beats in Tan Magazine's "I Was a Victim of the Beat Generation"
Chelsea M. Stripe
Beat Contenders (Micheline, Sanders, Kupferberg)
A. Robert Lee
Burroughs's Re-Invention of the Byronic Hero
Franca Bellarsi
Theories of Opiate Addiction in the Early Works of Burroughs and Trocchi
Richard English
Burroughs's Postcolonial Visions in The Yage Letters
Melanie Keomany
Burroughs as a Political Writer?
Alexander Greiffenstern
Burroughs's Folios as an Archival Machine for Artistic Creation
Tomasz D. Stompor
How Burroughs Plays with the Brain, or Ritornellos as a Means to Produce Déjà-Vu
Antonio José Bonome García
Selected Bibliography for the Study of the Beat Generation
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