Artibus et historiae: an art anthology

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  Año 2021, Número 83

  • Giotto – Piero della Francesca – Cavallini: conceptual Connections

    Marilyn Aronberg Lavin

    • Resumen

    págs. 9-26

    

  • From eternity to time. Notes on Annunciations with timepieces

    Philippe Junod

    • Resumen

    págs. 27-52

    

  • Leonardo da Vinci’s salvator mundi, its pictorial tradition and its context as a devotional image

    Frank Zöllner

    • Resumen

    págs. 53-84

    

  • Two new panels by Giovanni Bellini and the discovery of a Hitherto unknown polyptych

    Mauro Lucco

    • Resumen

    págs. 85-109

    

  • Who let the dogs out: Jacopo Bassano, naturalism and prints

    Beverly Louise Brown

    • Resumen

    págs. 111-145

    

  • Al fonte battesimale: palma il Giovane, tra affetti di famiglia e mestiere del pittore

    Stefania Mason

    • Resumen

    págs. 147-171

    

  • ‘Bisognare pensarvi un’anno intero’: Guido Reni’s second manner and ‘Bianchezza’

    Catherine Rose Puglisi

    • Resumen

    págs. 173-204

    

  • Nicolas Poussin’s hunt of Meleager and Atalanta and the spanish court of King Philip IV

    Alexander Kusztyk

    • Resumen

    págs. 205-214

    

  • An artist’s prestige: Bernardo Bellotto between Dresden and Warsaw

    Andrzej Rottermund

    • Resumen

    págs. 215-254

    

  • TheiIssue of copies: three drawings by Giannantonio Guardi in New York

    William Barcham

    • Resumen

    págs. 255-275

    

  • What’s in a Name? emulation and the hazards of attribution

    David Ekserdjian

    • Resumen

    págs. 277-295

    

  • Architectural encounters: ottoman-inspired typologies in Europe as liminal social space

    Deborah Howard

    • Resumen

    págs. 297-313

    

  • In pursuit of masterpieces: the National Gallery of Art’s acquisitions from the Prince of Liechtenstein

    Arthur Kingsland Wheelock

    • Resumen

    págs. 313-332

    

  • Edward Burne-Jones’s The Legend of the Briar Rose: a poema d’arte about mysterious dormancy

    Liana de Girolami Cheney

    • Resumen

    págs. 333-360

    

  • The paintings by Caspar David Friedrich with the figure of the so-called Chasseur

    Tadeusz J. żuchowski

    • Resumen

    págs. 361-385