Awkward Encounters: Lewis Carroll, Wordsworth, and Parody (Malcolm Bowie Lecture 2018)
págs. 7-23
págs. 25-46
págs. 47-69
Beyond Vision: Myth, Catharsis and the Narration of Absence in Art Spiegelman's "Maus" and W. G. Sebald's "Austerlitz"
págs. 71-93
págs. 98-113
págs. 115-132
págs. 133-147
Giles Whiteley, Oscar Wilde and the Simulacrum: The Truth of Masks
Jarlath Killeen (res.)
Es reseña de:
Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley
Oxford : Routledge, 2015
págs. 149-152
Andrew Gibson, Misanthropy: The Critique of Humanity
Pedro Querido (res.)
Es reseña de:
Misanthropy: The Critique of Humanity
Andrew Gibson
London : Bloomsbury Academic, 2017
págs. 152-157
Massimo Fusillo, The Fetish: Literature, Cinema, Visual Art translated by Thomas Haskell Simpson
Nicholas Ray (res.)
Es reseña de:
The Fetish: Literature, Cinema, Visual Art
Massimo Fusillo
New York : Bloomsbury, 2017
págs. 157-160
Elisa Bizzotto and Stefano Evangelista, eds, Arthur Symons: Poet, Critic, Vagabond
Marion Thain (res.)
Es reseña de:
Arthur Symons: Poet, Critic, Vagabond
Elisa Bizzotto (ed. lit.), Stefano Evangelista (ed. lit.)
Cambridge : Legenda, 2018
págs. 161-164
Jacob Blakesley, ed., Sociologies of Poetry Translation: Emerging Perspectives
Marta Arnaldi (res.)
Es reseña de:
Sociologies of Poetry Translation: Emerging Perspectives
Jacob Blakesley (ed. lit.)
London : Bloomsbury
págs. 164-167
Ben Etherington and Jarad Zimbler, eds, The Cambridge Companion to World Literature
Delia Ungureanu (res.)
Es reseña de:
The Cambridge Companion to World Literature
Ben Etherington (ed. lit.), Jarad Zimbler (ed. lit.)
Cambridge : Cambridge University Press, 2018
págs. 167-172
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