Comparative cinema

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  Año 2021, Vol. 9, Número 17. Dedicado a: Color Contrast. Chromatic Connections in Cinema; 147-149, 151-153

  • Articles

    • The “Exaggerated” Colors of Black Narcissus (1947 and 2020)

      Sarah Street

      • Resumen
      • Texto completo
      

    • True Colors: Chromaticity, Realism and Technological Honesty

      Andrew I. Philip

      • Resumen
      • Texto completo
      

    • Memories from the Darkness in the Films of Pedro Costa and Affonso Uchôa

      Edson Costa Júnior

      • Resumen
      • Texto completo
      

    • The Hybrid Color Film: Multiplicity of Space, Time, and Matter

      Olivia Kristina Stutz

      • Resumen
      • Texto completo
      

    • The True Colors of “False” Color: Representing Data Chromatically in NASA Films

      C. E. Harris

      • Resumen
      • Texto completo
      

    • The Politics of Nostalgia: Colorization, Spectatorship and the Archive

      Liz Watkins

      • Resumen
      • Texto completo
      

  • Reviews

    • Wilson, M. Blake, and Christopher Turner, eds. 2020. "The Philosophy of Werner Herzog."

      Chantal Poch

      • Texto completo
      

  • Editorial

    • Color Contrast: Chromatic Connections in Cinema

      Stefan Solomon

      • Texto completo