All About My Mother: Archives, Art, and Memory
págs. 209-214
Recollecting Charlotte Perkins Gilman: Archival Labor and Women’s Literary Recovery
págs. 215-239
págs. 241-272
págs. 273-306
págs. 307-332
Glancing Encounters: The Ephemeral City Archive in Eliza Haywood’s Fantomina, or Love in a Maze and Frances Burney’s Cecilia, or Memoirs of an Heiress
págs. 334-357
págs. 359-371
págs. 373-385
Elaine Hobby (res.)
Es reseña de:
The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn
Gary Waller
Amsterdam : Amsterdam University Press, 2020
págs. 395-398
The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank.
Alexandra G. Bennett (res.)
Es reseña de:
The Novel Stage: Narrative Form from the Restoration to Jane Austen
Marcie Frank
Lewisburg, PA : Bucknell University Press, 2020
págs. 398-401
Words of Her Own: Women Authors in Nineteenth-Century Bengal, by Maroona Murmu.
Tara Puri (res.)
Es reseña de:
Words of Her Own: Women Authors in Nineteenth-Century Bengal
Maroona Murmu
New Delhi : Oxford University Press, 2021
págs. 401-403
How Women Must Write: Inventing the Russian Women Poet, by Olga Peters Hasty.
Hilde Hoogenboom (res.)
Es reseña de:
How Women Must Write: Inventing the Russian Women Poet
Olga Peters Hasty
Evanston, IL : Northwestern University Press, 2019
págs. 403-406
Behind the Times: Virginia Woolf in Late-Victorian Contexts, by Mary Jean Corbett.
Jane De Gay (res.)
Es reseña de:
Behind the Times: Virginia Woolf in Late-Victorian Contexts
Mary Jean Corbett
Ithaca : Cornell University Press, 2020
págs. 406-409
Margaret D. Stetz (res.)
Es reseña de:
Template for Authorship: American Women’s Literary Autobiography of the 1930s
Windy Counsell Petrie
Amherst : University of Massachusetts Press, 2021
págs. 409-411
Nancy Cunard, Perfect Stranger, by Jane Marcus.
Jane Dowson (res.)
Es reseña de:
Nancy Cunard, Perfect Stranger
Jane Marcus
Clemson, SC : Clemson Universityl Press, 2020
págs. 412-414
Valerie Henitiuk (res.)
Es reseña de:
Eukuan nin matshi-manitu innushkueu / I Am a Damn Savage and Tanite nene etutamin nitassi / What Have You Done to My Country?
An Antane Kapesh, Sarah Henzi (trad.)
Waterloo,ON : Wilfrid Laurier University Press, 2020
págs. 414-417
Nicola Darwood (res.)
Es reseña de:
Misreading Anita Brookner: Aestheticism, Intertextuality, and the Queer Nineteenth Century
Peta Mayer
Liverpool : Liverpool University Press, 2020
págs. 418-419
Contemporary Women’s Post-Apocalyptic Fiction, by Susan Watkins.
Claire Curtis (res.)
Es reseña de:
Contemporary Women’s Post-Apocalyptic Fiction
Susan Watkins
London : Palgrave Macmillan, 2020
págs. 419-422
Osnabrück Station to Jerusalem: A Memoir, by Hélène Cixous, translated from French by Peggy Kamuf.
Phyllis Lassner (res.)
Es reseña de:
Osnabrück Station to Jerusalem: A Memoir
Hélène Cixous, Peggy Kamuf (trad.)
New York : Fordham University Press, 2020
págs. 422-424
One Left: A Novel, by Kim Soon, translated from Korean by Bruce and Ju-Chan Fulton.
Ji-Eun Lee (res.)
Es reseña de:
One Left: A Novel
Kim Soom, Bruce Fulton (trad.), Ju-Chan Fulton (trad.)
Seattle : University of Washington Press, 2020
págs. 425-427
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