Early music

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  Año 2002, Vol. 30, Número 4

  • Swirling from one level of the affects to another: the expressive Clavier in Mozart's time

    Michael Latcham

    págs. 502-518

    

  • Beethoven's Erard piano: its influence on his compositions and on Viennese fortepiano building

    Tilman Skowroneck

    págs. 522-537

    

  • The crozier of William of Wykeham

    Jeremy Montagu

    págs. 540-560

    

  • Michele Todini's galleria armonica: its hitherto unknown history

    Patrizio Barbieri

    págs. 565-582

    

  • A re-examination of tempos assigned to the Earl of Bute's machine organ

    Beverly Jerold

    págs. 584-591

    

  • Finding closure: performance issues in the Agnus Dei of Ockeghem's Missa L'homme armé

    Edward Wickham

    págs. 593-607

    

  • A gay-studies Handel

    Thomas McGeary

    págs. 608-612

    

  • Spanish opera

    Michael F. Robinson

    págs. 615-617

    

  • Vivaldi's 'flutes.'

    Neal Zaslaw

    págs. 617-618

    

  • The neglected Michel Lambert

    Graham Sadler

    págs. 619-620

    

  • Chant studies

    Sam Barrett

    pág. 619

    

  • Early English religious drama

    David Wulstan

    págs. 620-621

    

  • Choral foundations

    Timothy Morris

    págs. 621-623

    

  • A fardle of hard names

    Bruce Wood

    págs. 623-624

    

  • The English trio sonata?

    Mark Levy

    págs. 627-628

    

  • A Baroque trumpet manuscript

    Peter Downey

    págs. 628-629

    

  • Anglicized ditties

    Laura Macy

    págs. 631-632

    

  • Lassus and Bach—but not as we know them

    Jeremy Summerly

    págs. 634-635

    

  • A celestial siren and her music

    Frederick Hammond

    págs. 637-639

    

  • Odhecton after 500 years

    David Fallows

    págs. 641-642

    

  • Charpentier, sacred and secular

    Shirley Thompson

    págs. 645-648

    

  • Instruments

    Jeremy Montagu

    págs. 651-652