Medieval English theatre

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  Año 2015, Número 37

  • The Places of Foolery: Robert Armin and fooling in Edinburgh

    Sarah Carpenter

    págs. 11-26

    

  • ‘George Bannatyne’s ‘Sertane Mirry Interludis’, and Sir David Lyndsay’s play

    J. Hadley Williams

    págs. 27-40

    

  • ‘The Linlithgow Interlude of 1540 and Lyndsay’s Satire of the Thrie Estaitis

    Greg Walker

    págs. 41-56

    

  • Stage Directions in Lyndsay’s Ane Satire of the Thrie Estaits

    Peter Happé

    págs. 57-72

    

  • The Dramatic Voice of William Dunbar

    R.D.S. Jack

    págs. 73-89

    

  • How to Track a Bear in Southwark: a learning module

    Tanya Hagen, Sally-Beth MacLean

    págs. 90-104

    

  • ‘The Digby Mary Magdalen in Performance: a merry peripeteia

    Bob Godfrey

    págs. 105-118

    

  • ‘Thus am I Rent on Rode’: taking apart the Towneley Crucifixion

    Garrett P. J. Epp

    págs. 119-133

    

  • The Second Shepherds’ Play: a play for the Christmas season

    Alexandra Johnston

    págs. 134-148

    

  • ‘They did not come out of an Abbey in Lancashire’: Francis Douce and the manuscript of the Towneley Plays

    Meg Twycross

    págs. 149-165