Screen

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  Año 2002, Vol. 43, Número 43

  • Irony, nihilism and the new American `smart' film

    J. Sconce

    págs. 349-369

    

  • Timespaces in spectacular cinema: crossing the great divide of spectacle versus narrative

    A. Wood

    págs. 370-386

    

  • Childhood, class and memory in the Seven Up films

    J. Moran

    págs. 387-402

    

  • Glamorous witchcraft: gender and magic in teen film and television

    R. Moseley

    págs. 403-422

    

  • The trouble with the Canadian `body double': runaway productions and foreign location shooting

    G. Elmer

    págs. 423-431

    

  • Cinema as `Vernacular Modernism' Conference

    J. Yumibe, K. Askari

    págs. 432-437

    

  • Bill Nichols (ed.), Maya Deren and the American Avant-Garde

    A. Butler

    págs. 438-441

    

  • Laura U. Marks, The Skin of the Film: Intercultural Cinema, Embodiment and the Senses

    D. Martin-Jones

    págs. 442-446

    

  • Charlotte Brunsdon, The Feminist, the Housewife and the Soap Opera

    A. Rajagopal

    págs. 447-451

    

  • Ginette Vincendeau, Stars and Stardom in French Cinema

    C. Holmlund

    págs. 452-455