Journal of Spanish Cultural Studies

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  Año 2004, Vol. 5, Número 1

  • Camp: what's Spain got to do with it?

    Patrick Paul Garlinger, H. Rosi Song

    págs. 3-10

    

  • “La forma es fondo”: the politics of camp in La Regenta

    Elizabeth Amann

    págs. 11-23

    

  • After Wilde: camp discourse in Hoyos and Retana, or the dawn of Spanish gay culture

    Alberto Mira Nouselles

    págs. 25-39

    

  • The petrified tears of General Franco: kitsch and fascism in José Luis Sáenz De Heredia's Raza

    Alejandro Yarza

    págs. 41-55

    

  • The “cursilería” of camp in Ana Rossetti's Plumas De España

    Nöel M. Valis

    págs. 57-68

    

  • The authentic queen and the invisible man: Catalan camp and its conditions of possibility in Ventura Pons's ocaña, retrat intermitent

    Josep Anton Fernàndez

    págs. 69-82

    

  • From enfant terrible to prodigal son: Terenci Moix's embrace of a literary tradition

    H. Rosi Song

    págs. 83-95

    

  • All about Agrado, or the sincerity of camp in Almodóvar's todo sobre mi madre

    Patrick Paul Garlinger

    págs. 97-111

    

  • Reviews

    • A New History of Spanish Writing 1939 to the 1990s. Perriam, Chris, Michael Thompson, Susan Frenk, and Vanessa Knights. Oxford: Oxford UP, 2000. 241 pp. ISBN 0-19-871517-X (Pbk)

      Annie Abbott

      Es reseña de:

      • A New History of Spanish Writing 1939 to the 1990s

        Chris Perriam, Michael Thompson, Susan Frenk, Vanessa Knights

        Oxford : Oxford University Press, 2000

      págs. 113-115

      

    • Inventing the Art Collection. Patrons, Markets, and the State in Nineteenth-Century Spain. Vázquez, Oscar E. Pennsylvania State University Press, 2001. 295pp. + xvi. ISBN 0-271-02084-9

      Lou Charnon-Deutsch

      Es reseña de:

      • Inventing the Art Collection. Patrons, Markets, and the State in Nineteenth-Century Spain

        Oscar E Vázquez

        University Park, Pennsylvania : Pennsylvania State University Press, 2001

      págs. 115-117