Early music

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  Año 1993, Vol. 21, Número 3

  • A maitre d'orchestre...conducts: New and old evidence on French practice

    David Charlton

    págs. 340-353

    

  • From score into sound: Questions of scoring in Lully's ballets

    Rebecca Harris-Warrick

    págs. 355-362

    

  • Doucement and legerement: Tempo in French Baroque music

    Lionel Sawkins

    págs. 365-373

    

  • Jacques Hotteterre le Romain and his father, Martin

    Tula Giannini

    págs. 377-391

    

  • A link between opera and cantata in France: Tonal design in the music of Andre Campra

    Greer Garden

    págs. 397-412

    

  • Vincent d'Indy and the Rameau Oeuvres completes: A case of forgery?

    Graham Sadler

    págs. 415-421

    

  • A new French harpsichord source of the mid-18th century with an Eckard connection

    David Fuller

    págs. 423-427

    

  • Dots and strokes in Mozart

    Frederick Neumann

    págs. 429-435

    

  • The minuets of Haydn and Mozart: Goblins or elephants?

    William Malloch

    págs. 437-444

    

  • Byrd on record: An anniversary survey

    John Milsom

    págs. 446-450

    

  • The English a cappella renaissance

    Christopher Page

    págs. 453-466

    

  • Books

    Richard Langham Smith

    págs. 473-474

    

  • Books

    Margaret Bent

    págs. 474-475

    

  • Books

    Graham Dixon

    págs. 475-477

    

  • Books

    Jennifer Thorp

    págs. 477-478

    

  • Music

    John Milsom

    págs. 479-482

    

  • Music

    Dennis Slavin

    págs. 482-486

    

  • Music

    Fabrice Fitch

    págs. 486-487

    

  • Recordings

    John Caldwell

    págs. 489-491

    

  • Recordings

    Ivan Moody

    págs. 491-493

    

  • Recordings

    Margaret Mabbett

    págs. 493-495

    

  • Recordings

    Gregory S. Johnston

    págs. 495-496

    

  • Recordings

    Jonathan Williams

    págs. 497-499

    

  • Recordings

    Clifford Bartlett

    pág. 497

    

  • Recordings

    Michael Talbot

    págs. 499-500

    

  • Recordings

    John Kitchen

    págs. 502-504

    

  • Recordings

    Malcom Boyd

    págs. 504-505

    

  • Recordings

    Donald Burrows

    págs. 505-506