Journal of aesthetics & art criticism

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  Año 1993, Vol. 51, Número 4

  • The two authenticities of the photographic media

    Rudolph Arnheim

    págs. 537-540

    

  • How is a theory of the sublime possible?

    Guy Sircello

    págs. 541-550

    

  • Terrible beauty: Paul de Man's retreat from the aesthetic

    Ian Mackenzie

    págs. 551-560

    

  • The aesthetics of Joseph Priestley

    Dabney Townsend

    págs. 561-571

    

  • The integrity of musical performance

    Stan Godlovitch

    págs. 573-587

    

  • Bleeding chunks: Some remarks about musical understanding

    Aaron Ridley

    págs. 589-596

    

  • Interpreting the arts: The patchwork theory

    Berys Gaut

    págs. 597-609

    

  • The system of the arts

    Hartley Slater

    págs. 611-617

    

  • Stability and achievement in Richard Lind's aesthetic theory

    P. Sven Arvidson

    págs. 619-622

    

  • The case for micro-phenomenology

    Richard Lind

    págs. 622-625

    

  • The logic of Hume's conversion theory

    Flo Leibowitz

    págs. 625-626

    

  • Book reviews

    Stein Haugom Olsen

    págs. 627-628

    

  • Book reviews

    Carolyn Korsmeyer

    págs. 628-629

    

  • Book reviews

    Edward Lippman

    págs. 630-632

    

  • Book reviews

    Lydia Goehr

    págs. 632-634

    

  • Book reviews

    Peter Lewis

    págs. 634-636

    

  • Book reviews

    Daniel Baker

    págs. 636-640

    

  • Book reviews

    Holger Briel

    págs. 640-642

    

  • Book reviews

    Leon Surette

    págs. 642-643

    

  • Book reviews

    Robert Wicks

    págs. 643-644

    

  • Book reviews

    Julie Van Camp

    págs. 644-646

    

  • Book reviews

    Theodore Gracyk

    págs. 646-648

    

  • Book reviews

    Eugene E. Selk

    págs. 648-649