Literature / Film quarterly

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  Año 1995, Vol. 23, Número 1

  • Film noir: Killer style

    Tom Whalen

    págs. 2-5

    

  • Wild at Heart three ways: Lynch, Gifford, Bakhtin

    Michael Dunne

    págs. 6-13

    

  • Seeing, believing, and `knowing' in narrative film: Don't Look Now revisited

    James Palmer

    págs. 14-25

    

  • Canadian book, American film: Shoeless Joe transfigured on a Field of Dreams

    Mary K. Kirtz

    págs. 26-31

    

  • Open narrative in Robbe-Grillet's Glissements progressifs du plaisir and Wim Wenders's Paris, Texas

    Roch C. Smith

    págs. 32-38

    

  • Jean-Luc Godard's Pierrot le Fou

    Angela Dalle Vacche

    págs. 39-54

    

  • The China Syndrome: Corruption to the core

    Wayne J. McMullen

    págs. 55-62

    

  • The Hollywood novel: American dream, apocalyptic vision

    K. Edington

    págs. 63-67

    

  • What about Jack? Another perspective on family relationships in Stanley Kubrick's The Shining

    Frank Manchel

    págs. 68-78

    

  • Film as literature: Two screenplays

    Scott C. Bradley

    págs. 79-80

    

  • A well-informed companion

    pág. 81