Journal of the Royal Musical Association

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  Año 1996, Vol. 121, Número 1

  • The `Rise of European Music' and the Rights of Others

    págs. 1-10

    

  • The Retransition as Sign: Listener-Orientated Approaches to Tonal Closure in Haydn's Sonata-Form Movements

    págs. 11-45

    

  • Grieg's Slaatter, Op. 72: Change of Musical Style or New Concept of Nationality?

    págs. 46-57

    

  • Szymanowski and Narcissism

    págs. 58-81

    

  • The Significance of the Concept `Image' in Tippett's Musical Thought: A Perspective from Jung

    págs. 82-104

    

  • Rob C. Wegman, Born for the Muses

    págs. 105-115

    

  • Robert S. Hatten, Musical Meaning in Beethoven

    págs. 116-123

    

  • Stephen Banfield, Sondheim's Broadway Musicals

    págs. 124-131