Screen

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  Año 1996, Vol. 37, Número 1

  • IS any girl safe? Female spectators at the white slave films

    págs. 1-15

    

  • Re-presenting the field of restricted cultural production: the nude at the interface

    págs. 16-29

    

  • What makes a man a man: the construction of masculinity in F.W. Murnau's The Last Laugh

    págs. 30-40

    

  • Racialized spectacle, exchange relations and the Western in Johanna d'Arc of Mongolia

    págs. 41-67

    

  • The lion, the thistle and the saltire: national symbols and corporate identity in Scottish broadcasting

    págs. 68-81

    

  • Celebrating 1895: an International Conference on Film before 1920

    págs. 82-84

    

  • Africa and the History of Cinematic Ideas Conference

    págs. 85-89

    

  • Paula Rabinowitz, They Must Be Represented: the Politics of Documentary; Brian Winston, Claiming the Real: the Documentary Film Revisited

    págs. 90-94

    

  • Roswitha Mueller, Valle Export: Fragments of the Imagination

    págs. 95-99

    

  • Mark Dery (ed.), Flame Wars: a Discourse of Cyberculture

    págs. 100-105

    

  • Andrew Higson, Waving the Flag: Constructing a National Cinema in Britain

    págs. 106-110