Intertextuality, progress and literary history: Wordsworth, Shelley and Arnold
págs. 117-136
Closure and escape: The questionable comedy of George Eliot's Middlemarch
págs. 137-153
Edith Wharton: The Muse's Strategy
págs. 155-171
págs. 173-189
Making yourself a body without organs: The cartography of pain in Kathy Acker's Don Quixote
págs. 191-209
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