Rethinking Crime Fiction in Times of Crisis: A Multinational Perspective
Diana Aramburu, Nick Phillips
Swindling in Times of Crisis: Argentine Crime Fictions of the Millennium in Print and on Screen
Carolina Miranda
Cinema of Dissensus: Cultural Crisis and the (Re) Emergence of Spanish Neo-Noir
Scott Boehm
Melodrama and visual archives of Madrid in Las chicas del cable
Susan Divine
Radical Exposures: The Photography of Eviction in Crisis-Era Spain
Kathy Korcheck
The Fantastic in Susana Martín Gijon's Detective Novellas
Michele C. Dávila Gonçalves
Crime, women and fiction: narrating urban Puerto Rican feminicide in Ana Lidya Vega's "Pasión de historia"
Tania Carrasquillo Hernández
“Revenge Is a Dish Best Served Cold”: The “mare defensora” in Teresa Solana’s “Feina feta no fa destorb” and Empar Fernández’s “El dia que vaig perdre el món de vista”
Diana Aramburu
The Thrill of the Crime in a Decade of Crisis: Carlos Montero’s El desorden que dejas
Nick Phillips
Crime and Crisis in Mexico: Yuri Herrera’s La transmigración de los cuerpos
Michael Mosier
Policial, Anti-Policial, and the (De)legitimation of the State
Jonathan Dettman
Rogue States and the Outlaws of Fiction
William Viestenz, Collin S. Diver
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