págs. 233-240
págs. 241-258
From opera to postmodernity: On genre, style, institutions
págs. 259-284
"The pastime of past time": Fiction, history, historiographic metafiction
págs. 285-305
Palimtexts: Postmodern poetry and the material text
págs. 307-328
págs. 329-358
Generating the subject: The images of Cindy Sherman
págs. 359-382
"Always two things switching": Laurie Anderson's alterity
págs. 383-408
Installation and dislocation: The example of Johathan Borofsky
págs. 409-426
Music for words perhaps: Reading/ hearing/ seeing John Cage's Roaratorio
págs. 427-462
págs. 463-482
págs. 483-512
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