Apollo: The international magazine of arts

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  Año 1991, Número 355

  • Expo '92 in Seville: Looking backwards and forwards

    Robin Simon

    págs. 149-152

    

  • The painter and the poet: Giovanni Bellini's portrait of Raffaelle Zovenzoni rediscovered

    Jennifer Fletcher

    págs. 153-158

    

  • The drawings of Sir Roger Newdigate: The earliest unpublished record of the Uffizi

    Michael McCarthy

    págs. 159-168

    

  • The Castello di Lunghezza: A palpable sense of history

    Elspeth Moncrieff

    págs. 169-175

    

  • A palace built: a church destroyed: S Lorenzo in Damaso beneath the Cancelleria

    Rodney Palmer

    págs. 176-182

    

  • Leaving Signorelli in the lurch: Another funding scandal in Italy

    Gaia Servadio

    págs. 183-186

    

  • 'The greatest museum you never heard of': The Barnes Foundation, Philadelphia

    Patricia Corbett

    págs. 187-189

    

  • Save the county record offices: A threat to the historic archives

    John Martin Robinson

    págs. 190-191

    

  • Exhibition Reviews

    • Excellence in obscurity: French drawings at the Courtauld Institute of Art

      François Borne

      págs. 192-194

      

    • Virtue and Vision: Sculpture in Scotland, 1540-1990

      Charles Avery

      págs. 195-196

      

    • Busby at Brighton: An unrecognized Regency architect

      John Harris

      págs. 197-199

      

    • The secret path: Ken Kiff at Marlborough Fine Art

      James Burr

      págs. 199-199

      

    • Dealing with kitsch: The traditions of 'Pop Art'

      Eric Shanes

      págs. 200-200

      

  • Letter from Rome

    • The first Media Save Art Conference

      Elspeth Moncrieff

      págs. 201-201

      

  • Letter from Paris

    • From Corot to the Impressionists: the Moreau-Nélaton donations

      Barbara Scott

      págs. 202-203

      

  • Letter from Columbus

    • From Nolde to Monet: an unprejudiced collection

      Homan Potterton

      págs. 204-205

      

  • Letter from Los Angeles

    • The collective will

      Richard Kendall

      págs. 206-208

      

  • Conference Report

    • Not a happy lot: Constable symposium at the Tate

      Martin Postle

      págs. 209-209

      

  • Book Reviews

    • Perceptive patronage: The Consul Smith Collection

      George Knox

      págs. 210-210