Apollo: The international magazine of arts

• 

  Año 1992, Número 359

  • Everyone a coconut: The need for old-fashioned patronage

    Robin Simon

    págs. 3-3

    

  • Ribera's Suicide of Porcia: A newly-identified painting of a 'famous woman'

    Craig Felton

    págs. 4-11

    

  • Goya's Don Manuel Osorio de Zúñiga: A Christological allegory

    William L. Pressly

    págs. 12-20

    

  • The double-headed eagle on Chinese porcelain: Export wares for imperial Russia

    Tatyana Arapova

    págs. 21-26

    

  • Nineteenth-century Russian painting: The last great untapped market

    Elspeth Moncrieff, Andrew Whatley

    págs. 27-30

    

  • A dazzling adventurer: Charles Cameron: the lost early years

    John Martin Robinson

    págs. 31-35

    

  • Architect to three emperors: Adam Menelas in Russia

    Dmitrij Shividkovsky

    págs. 36-41

    

  • Canaletto's patron: Portraits of Francis Greville, 1st Earl of Warwick

    David Buttery

    págs. 42-47

    

  • Gerhard Richter: A divided German: an interview

    Richard Cork

    págs. 48-49

    

  • Exhibition reviews

    • Hokusai; prints and drawings

      Oliver R. Impey

      págs. 50-51

      

    • The writers' art: 'Critics' Landscape'

      Polly Chiapetta

      págs. 52-53

      

    • Beyond Europe: Shiko Munakata / Avinash Chandra

      James Burr

      págs. 54-54

      

  • Shorter reviews

    • The Pre-Raphaelite penumbra

      Peyton Skipwith

      págs. 55-55

      

    • Caracciolo and Co.

      Rodney Palmer

      págs. 55-55

      

    • Albert Bierstadt: art and enterprise

      Andrew Wilton

      págs. 56-56

      

    • Portraits from Imperial Russia

      Rupert Scott

      págs. 56-58

      

    • Eighty years of collecting

      Iain Gale

      págs. 58-59

      

    • The state of the art

      Richard Kendall

      págs. 59-59

      

  • Letter from Paris

    • Homage to Givenchy

      Barbara Scott

      págs. 60-60

      

  • Book reviews

    • Demystifying Goya

      Robert Snell

      págs. 61-61