Apollo: The international magazine of arts

• 

  Año 1992, Número 361

  • Messrs Walrus and Carpenter

    Robin Simon

    págs. 139-139

    

  • Rembrandt and the Rembrandt style

    Walter Liedtke

    págs. 140-145

    

  • Rembrandt then and now: Attributional changes at the Wallace Collection

    John Ingamells

    págs. 146-150

    

  • A Parmigianino Madonna and Child and his uncommissioned paintings

    Cecil Gould

    págs. 151-156

    

  • Apelles painting Campaspe by Jacques-Louis David: Art, politics and honour

    Paul Spencer-Longhurst

    págs. 157-162

    

  • Titian's Judith and its context: The iconography of decapitation

    Paul Joannides

    págs. 163-170

    

  • Pulchrior Aurora: A new Madonna of Humility by Tomaso da Modena

    Robert Gibbs

    págs. 171-173

    

  • Leading talent: The phenomenon of Lucian Freud

    Giles Auty

    págs. 174-177

    

  • Assessing the damage two years on: The National Art Museum of Romania

    Mark Gisbourne, Polly Chiapetta

    págs. 178-181

    

  • Making it at Maastricht: The European Fine Art Fair

    Barbara Scott

    págs. 182-184

    

  • Exhibition Reviews

    • Mantegna: great but little known

      Ronald Lightbown

      págs. 185-189

      

    • One of the great sponges: The art of Nicolas Lancret

      Alan Wintermute

      págs. 190-191

      

  • Shorter Reviews

    • Around Rembrandt

      Margarita Russell

      págs. 192-193

      

    • Soviet Socialist Realism

      Terence Mullaly

      págs. 193-194

      

    • Otto Dix: Fury or Philosophy?

      Eric Shanes

      págs. 194-194

      

    • Surrealism's Liberace: Alberto Savinio

      James Hall

      págs. 194-195

      

    • Growing cold gracefully: 'The Art of Death'

      Stephen Calloway

      págs. 195-196

      

  • Book Reviews

    • Fantasies about Fragonard

      Colin B. Bailey

      págs. 197-198